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“Bloom” (2017) Frank Moth is the nom de plume of an anonymous Athens-based art duo. Together the pair creates atmospheric collages that combine elements from vast expanses such as oceans, deserts, and the universe at large. The artists combine these scenic elements with decades-old images of men and women, simultaneously dating the collages and giving them a futuristic feel. Because of this push and pull between the past and present, the

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whether it’s a taxidermy chicken lamp or cabinets that wave into swirling sculptures, the work of chilean artist and activist sebastian errazuriz is always as captivating as it is experimental. his latest project involves a 20-foot public sculpture in the middle of new york featuring a livestream of earth from a NASA satellite in space.   the monumental structure titled ‘blu marble’ involves a bespoke LED screen and a smart bot built by errazuriz and his team. the robot works to select live photographs captured from the satellite before

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british artist olivia kemp has a knack for drawing incredibly detailed, large-scale illustrations that sprawl the walls of her studio. in their entirety, they depict mythical landscapes built from photography, observational sketches, and her own memories of discovered destinations. melita, maleth     choosing to forego any color, kemp focuses on the rich details and textures she can achieve using lines. she painstakingly outlines and shades every element of her drawings, with each monumental sketch taking several months to complete. in kemp’s

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Claudia Damichi‘s paintings are characterised by vivid colours, elaborate patterns and distorted spatial proportions. Her paintings evoke a sense of 1920s pattern design clashing with the 1960s domestic interiors, all turned upside down with her unique sense of contemporary colour and unexpected relationships. I had a chance to talk with her. Claudia graduated with a Master of Arts from the College of Fine Arts, UnSW In Sydney. She has been a recipient of the Paris Studio

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Case and the great people from @verbsyndicate have been trying to work on a project for quite some time, glad we finally made it happen! This year’s Wonderwalls has been a blast and Case would like to hanks to everyone involved for the Wonder Walls Festival. Port Kembla, this small suburb has one of the biggest industrial complexes in Australia. The coal and steal industry had shaped this town 100 years ago to what it was and

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considered one of the rising stars of the international street art scene, felipe pantone has been expressing himself through color since he was 12 years old. a self-taught graffiti artist, the argentine-spanish contemporary artist deals with dynamism, transformation, omnipresence, and themes related to present times. most recently, his technicolored vision has taken him to shanghai where his exhibition entitled ‘distance, speed, time, formula’, presents totally new works to mark his first installation in the city. images courtesy

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Although he was a misfit belonging to the New York underground in the 1980s, Jean-Michel Basquiat quickly came to prominence after his extraordinary talent was discovered. Namely, this prolific figure set off his career as part of a graffiti duo SAMO, was involved with the up-and-coming No wave scene and was featured in an iconic documentary Downtown 81 by Glenn O’Brien. In 1980, he also became friends with Andy Warhol which largely reflected on his artistic production. Unfortunately, at the

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Márton Mogyorósy explores the coastal city of Barcelona from above, creating geometric images of the Spanish city’s buildings, shore, and sea. Mogyorósy browses the city via Google Earth to get an idea of the natural and manmade shapes he would like to capture, and then finds these areas with the assistance of a drone. The Hungarian photographer photographs lesser known areas of Barcelona, finding structures and buildings that are attractively

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“Achairisatreeisachair” (2017), image by Roman März Polish artist Alicja Kwade carves into tree trunks to create 3/4-formed stools and chairs that balance with the support of the unfinished segments of wood. The carved furniture would be simple in its construction if taken out of context, but in conjunction with the tree trunks the pieces exist in a liminal space between design object and source material. Kwade’s carved furniture is currently exhibited

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new york city’s new museum presents ‘nari ward: we the people,’ an exhibition featuring over thirty works spanning the artist’s twenty-five year career. the pieces include sculptures, paintings, videos, and large-scale installations which serve to highlight ward’s status among the most important and influential contemporary sculptors. since the early 1990s, the new york based artist has produced his works with a collection of found materials repurposed in unexpected ways. his approach is expressive of

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